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The invention of Hugo Cabret : a novel in words and pictures  Cover Image Book Book

The invention of Hugo Cabret : a novel in words and pictures

Selznick, Brian (Author).

Summary: When twelve-year-old Hugo, an orphan living and repairing clocks within the walls of a Paris train station in 1931, meets a mysterious toyseller and his goddaughter, his undercover life and his biggest secret are jeopardized.

Record details

  • ISBN: 9780439813785 (hardcover)
  • ISBN: 0439813786 (hardcover)
  • Physical Description: 533 p. : ill. ; 22 cm.
    print
  • Edition: 1st ed.
  • Publisher: New York : Scholastic Press, c2007.

Content descriptions

Awards Note:
Caldecott Medal book, 2008.
Kentucky Bluegrass Award, 2008.
Subject: Railroad stations Fiction
Orphans Fiction
Robots Fiction
Melies, Georges 1861-1938 Fiction

Available copies

  • 3 of 7 copies available at Kenton County.

Holds

  • 1 current hold with 7 total copies.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Covington Branch J SELZN B (Text) 33126022809150 JFiction Checked out 05/08/2024
Covington Branch YA SELZN B (Text) 33126016982344 YA Fiction Available -
Covington Branch YA SELZN B (Text) 33126022809176 YA Fiction Available -
Erlanger Branch J SELZN B (Text) 33126018324750 JFiction Checked out 05/17/2024
Erlanger Branch J SELZN B (Text) 33126026476147 JFiction Checked out 05/12/2024
Independence Branch J SELZN B (Text) 33126017036934 JFiction Available -
Independence Branch J SELZN B (Text) 33126026476139 JFiction Checked out 05/09/2024

  • Library Journal Reviews : LJ BookSmack
    The fantasy and surprise of The Night Circus is nicely echoed in the delightful mixture of forms that Brian Selznick blends in his story of Hugo, a 12-year-old orphan who lives within the walls of a Paris train station. While Selznick's novel is ostensibly for younger readers, it should please adult fans of Morgenstern with its invitation to wonder and its focus on characters that hold answers for each other. Both novels center on the creation of something grand and important. In Hugo's case, it is the quest to repair an automaton that he believes will write him a message from his father. As his story unfolds, he discovers far more than the message-he discovers something lost for too long. The two novels share a lush sensibility, which Morgenstern achieves through extravagant detail, while Selznick, an illustrator and writer, creates by blending visual detail and textual description. The same captivated feeling one gets figuring out just what Marco has done with his scrapbook of hair and signatures is present on every page of Selznick's masterwork. Hugo just might have grown up to be Friedrick Thiessen, the wonderful clockmaker of Morgenstern's novel. - Neal Wyatt, "RA Crossroads," Booksmack! 10/6/11 (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
  • School Library Journal Reviews : SLJ Reviews 2007 March

    Gr 4–9— With characteristic intelligence, exquisite images, and a breathtaking design, Selznick shatters conventions related to the art of bookmaking in this magical mystery set in 1930s Paris. He employs wordless sequential pictures and distinct pages of text to let the cinematic story unfold, and the artwork, rendered in pencil and bordered in black, contains elements of a flip book, a graphic novel, and film. It opens with a small square depicting a full moon centered on a black spread. As readers flip the pages, the image grows and the moon recedes. A boy on the run slips through a grate to take refuge inside the walls of a train station—home for this orphaned, apprentice clock keeper. As Hugo seeks to accomplish his mission, his life intersects with a cantankerous toyshop owner and a feisty girl who won't be ignored. Each character possesses secrets and something of great value to the other. With deft foreshadowing, sensitively wrought characters, and heart-pounding suspense, the author engineers the elements of his complex plot: speeding trains, clocks, footsteps, dreams, and movies—especially those by Georges Mlis, the French pioneer of science-fiction cinema. Movie stills are cleverly interspersed. Selznick's art ranges from evocative, shadowy spreads of Parisian streets to penetrating character close-ups. Leaving much to ponder about loss, time, family, and the creative impulse, the book closes with a waning moon, a diminishing square, and informative credits. This is a masterful narrative that readers can literally manipulate.—Wendy Lukehart, Washington DC Public Library

    [Page 218]. Copyright 2007 Reed Business Information.
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