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  • 1 of 1 copy available at Kenton County.

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Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Erlanger Branch M ALEXA T (Text) 33126013635499 Mystery Available -

Record details

  • ISBN: 0060756713 (acid-free paper)
  • Physical Description: 310 p. ; 24 cm.
  • Edition: 1st ed.
  • Publisher: New York : William Morrow c2005.
Subject: Great Britain > History > Victoria, 1837-1901 > Fiction.
Ashton, Emily (Fictitious character) > Fiction.
Archaeological thefts > Fiction.
Genre: Detective and mystery fiction.
Historical fiction.
Thrillers (Fiction)

  • Baker & Taylor
    Accepting a dashing viscount's marriage proposal as part of a plan to escape her overbearing mother, Emily finds herself widowed early after her marriage and subsequently learns that her husband was not who he professed to be, a discovery that prompts an investigation in the quiet corridors of the British Museum.
  • Baker & Taylor
    Accepting a dashing viscount's marriage proposal as part of a plan to escape her overbearing mother, Emily finds herself widowed early after her marriage and subsequently learns that her husband was not who he professed to be, a discovery that prompts an investigation in the quiet corridors of the British Museum. 20,000 first printing.
  • Blackwell North Amer
    For Emily, accepting the proposal of Philip, the Viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.
    Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.
  • HARPERCOLL

    From gifted new writer Tasha Alexander comes a stunning novel of historical suspense set in Victorian England, meticulously researched and with a twisty plot that involves stolen antiquities, betrayal, and murder

    And Only to Deceive

    For Emily, accepting the proposal of Philip, the Viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.

    Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.


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